well it's come to this:
i found Preston day before yesterday (insert long explanation of how i'd somehow lost him in the move). as i set him on the shelf with isaac and hollis, the last two peeps to come into the fold, it struck me like a wet trout between the eyes: the gang's all here. i've managed to get the full cast assembled. finally. after 18 years.
and having, just last week, at long last answered the age-old question of "who's hollis?", i feel that i am plumb out of excuses to put off finishing this project and getting it off my table. narrative pov is no longer an issue. i'll mishmash if need be. or just write it straight. who cares ~ it'll come out as it comes out.
so the absolutely final question is how to write this bugger in terms of scope. and i'm gonna let you decide (way to take the pressure of responsibility off my shoulders ~ wooo!).
: D
[Poll #928167]

from Gallery Tokyo.com
i found Preston day before yesterday (insert long explanation of how i'd somehow lost him in the move). as i set him on the shelf with isaac and hollis, the last two peeps to come into the fold, it struck me like a wet trout between the eyes: the gang's all here. i've managed to get the full cast assembled. finally. after 18 years.
and having, just last week, at long last answered the age-old question of "who's hollis?", i feel that i am plumb out of excuses to put off finishing this project and getting it off my table. narrative pov is no longer an issue. i'll mishmash if need be. or just write it straight. who cares ~ it'll come out as it comes out.
so the absolutely final question is how to write this bugger in terms of scope. and i'm gonna let you decide (way to take the pressure of responsibility off my shoulders ~ wooo!).
: D
[Poll #928167]

from Gallery Tokyo.com
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sorry to give you such a weenie answer, but i'm no good at deciding for others...
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: D