in writing: ( just noodling so you can prolly skip it. )
in reading: for the
50bookchallenge:
in film: lastly, i watched Seraphim Falls last night.
[some spoilers in this review!]
liam neeson chases pierce brosnan down out of the mountains into an appalling desert, torturing him along the way. yeah, fun stuff! but i could watch either actor skin cats and prolly still be entertained. the ending got a wee convoluted and i don't know how i feel about the resolution, but i was still entertained. it's a pretty straightforward story about vengeance and forgiveness, but could have been helped with a wee better development of the characters. i kept wondering through most of the film: why does pierce brosnan's character keep running? what does he want to live for? that question never gets answered (in fact, it gets compounded when we find out that he lost both of his sons right before his eyes fighting at antietam).
so all in all i enjoyed it (especially the fact of so many horses dropping dead from the chase ~ not because the horses die, but because for once we get some realism: horses aren't machines; they need water and food and rest!), but overall, if it had been a book before being made into a film, the book woulda prolly been much better. the cause of animosity between the two men is obvious (i think) at the start, but when the flashback moment is revealed, it was still effectively chilling, brosnan's line: you said the house was empty! and the soldier answering: of rebs! ~ geh! quite horrifying, regardless of the cliché. and i love the impression the director gives of brosnan leaving the farm, taking off his sword, and basically walking out of the war and of that former life forever. i wish the symbol of the knife he carries ever afterward had been more clearly explained, however. i feel there was a missed opportunity there.

the usually suave pierce brosnan
takes quite a relentless beating in this one.
in reading: for the
no. 56 ~ A Diplomatic Adventure by s. weir mitchell. strictly an adventure story with some priceless amusements including a single case of mistaken identity that results in three duels (the character of Captain Merton is hilarious when he accepts the challenge even when he has no clue what's provoked it, and i love how he gives his enemies musketeer names). Merton's falling in love with a woman he's never seen is also wonderful, alongside his subsequent theft of a piece of ribbon (brilliant) that leads him to finally meet the mysterious spy (and marry her, of course). i love the fact that this romance happens entirely in Merton's head and then ultimately off-scene. the last chapter is throwaway recapitulation, but the rest of the book is highly entertaining. still not quite as good as New Samaria, which remains my favorite.i started Far in the Forest last night and only read a chapter. i really ought to take a break and read something else, though.
in film: lastly, i watched Seraphim Falls last night.
[some spoilers in this review!]
liam neeson chases pierce brosnan down out of the mountains into an appalling desert, torturing him along the way. yeah, fun stuff! but i could watch either actor skin cats and prolly still be entertained. the ending got a wee convoluted and i don't know how i feel about the resolution, but i was still entertained. it's a pretty straightforward story about vengeance and forgiveness, but could have been helped with a wee better development of the characters. i kept wondering through most of the film: why does pierce brosnan's character keep running? what does he want to live for? that question never gets answered (in fact, it gets compounded when we find out that he lost both of his sons right before his eyes fighting at antietam).
so all in all i enjoyed it (especially the fact of so many horses dropping dead from the chase ~ not because the horses die, but because for once we get some realism: horses aren't machines; they need water and food and rest!), but overall, if it had been a book before being made into a film, the book woulda prolly been much better. the cause of animosity between the two men is obvious (i think) at the start, but when the flashback moment is revealed, it was still effectively chilling, brosnan's line: you said the house was empty! and the soldier answering: of rebs! ~ geh! quite horrifying, regardless of the cliché. and i love the impression the director gives of brosnan leaving the farm, taking off his sword, and basically walking out of the war and of that former life forever. i wish the symbol of the knife he carries ever afterward had been more clearly explained, however. i feel there was a missed opportunity there.

the usually suave pierce brosnan
takes quite a relentless beating in this one.